This was followed by a series of films that portrayed contemporary Tamil villages in an authentic way, against stylistic shallow portrayals before. The songs became an instant hit, the most popular being “Machchana Partheengala” sung by a female voice, S. The songs offered simplicity and musicality typical of Tamil folk in an authentic way, and they offered new sounds–rich orchestration typical of Western music.
The film dealt with a village story, to which Ilayaraja composed great melodies. Ilayaraja’s break into music for films came with Annakili (1976). He later earned a diploma in music from Trinity College in London. He studied under Dhanraj Master, playing the guitar and piano in the Western style.
#HOW TO NAME IT ILAYARAJA MOVIE#
Raja picked up most of his acumen for audience tastes during this period.In 1969, Raja migrated to the city of Madras, the Southern Movie capital, when he was 29 years old, looking for a break into music making for the public. The team of the brothers, the eldest being Pavalar Varadharajan, a poet, worked as a group of musicians traveling across the state, accompanying theater artists. He learned to play the harmonium, the typical musical instrument used in street performances. His mother, a huge repository of Tamil folk songs, seems to be a very strong influence in his music. Raja, as he is popularly known and affectionately called, comes from a family of musicians. Born and brought up in an obscure village near Kambam in Southern Tamil Nadu, Ilayaraja became the first Asian to score a symphony for the London Philharmonic Orchestra, besides scoring over 500 feature films in a period of 20 years.
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